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The Lies They Weave on Reality TV

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I’ve always been a bit of a know-it-all — a statement which comes of no surprise to anyone who knows me. But behind the need to show everyone how smart I am is a need to actually be smart. I like to collect weird information.

So tonight I went to a special presentation at CBC about the Dragon’s Den television show — not so much to learn about business, but instead to sate my curiosity about how the show works. It was sponsored by Enterprise Toronto, and as such David Miller showed up to talk about all the great things the City is doing for entrepreneurs and how great Toronto is. It was super positive.

Then some former contestants, Mark of Ecotraction and the women of Dig It Gardening Gloves, spoke about their success, a bit about how the deals, and answered some questions on strategy. Mostly it was pretty vague.

When I first saw the Dig It women in the lobby I was disappointed. I had seen their episode, and remembered the deal they got on the show: for $50,000, Kevin O’Leary got 10% of their company, plus 3% of future sales in perpetuity. The other dragons tried to warn the women against the deal because it was such a crap deal. Basically, I thought these women were idiots.

But then the news broke: The deal we saw the Dig It girls take on TV was not the deal they actually ended up with.

In reality, the women left with a deal from Kevin that was exactly what they asked for: $50, 000 for 10% of their company. There were no royalties and they reserved the right to buy that 10% back at the same rate if Kevin failed to get them into the US Market.

That’s a huge difference! Not only did they turn down Jim for a good deal (despite the way it looks in the episode) but they made a very good deal.

Reality TV is a big, fat, fucking liar!

I know that this isn’t exactly news– afterall, most people know that shows have producers, and some (like The Hills and Jon and Kate) are much more scripted than others. Even on the Biggest Loser I realize that clever editing is often to blame for making some characters heroes while others are vilified.

But this isn’t just any reality TV, this is the CBC. And more than that, it is business TV.

It blew my mind. And kind of pissed me off that it was that far off what had actually happened.

But then the producers of the show, Lisa Gabriele and Tracie Tighe, came on they totally restored my faith.

It wasn’t just that they were total bitches (in the BEST possible way!), and it wasn’t just because the face off between the producers and the moronic audience members asking stupid questions felt like live reality tv, it was because they were honest.

These women wanted to make the best possible TV they could. Sure, some of the editing is sneaky, but the end result is not meant to be misleading. It is crafted to be really good TV. And if you’ve watched the show, you know it is, in fact, good TV. These women just won a Gemini award for Dragon’s Den, they know what they’re doing.

No one was hiding the fact that there is creative editing. They were proud of it. And it was that honesty, combined with the passion for their work (ok, and the snarky responses) that made me fall in love with them.

All and all, for a free event it was rather fabulous. It left me seriously amused, and a tiny bit better informed. I’ll be sure that you know that last part any chance I get.

Is an eBook a Kid’s Best Friend?

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This morning I listened to an old recording of CBC radio commentary segments my mother did when I was a child. She was a trained teacher, and an avid lover of books.

As part of a piece about child literacy and the importance of reading aloud to children, she read my favourite story, The Tiger Who Came To Tea, to me on the air.  As she read, my two and a half year old voice interrupted with the words I knew, and other sounds that don’t appear to have been words at all.  The joy in both of our voices is palpable.

My love of children’s books hasn’t faded since then.  So when I was browsing the Internet recently, I was excited to come across OneMoreStory.com.  It’s a clever site that offers an impressive audio collection of lesser known children’s stories.  Kids can view the original illustrations from the printed book, and follow along with the text as they hear the story spoken aloud.  The site boasts that “through a simple point and click process, children . . . can have the book read to them whenever they want.”

I listened to a whimsical and funny story called “The Rattletrap Car” about a family going to the beach in a rickety car.  Along the way, the car needs to be fixed with ridiculous objects like beach balls, fudge, and sailboats.  The images on the screen were exact replicas of those in the print copy.  The words turned red to indicate the word I was hearing, and the sounds of silence and the appearance of a green arrow signalled it was time to “turn the page.”  There was even musical accompaniment.

But I was disappointed.  While there was nothing wrong with the website itself, and the stories available were lovely, I couldn’t shake the feeling that it felt wrong.  Something was missing.

The voice that spoke the words to me sounded like someone’s mother.  She may even have been someone’s mother, but she wasn’t my mother.  She wasn’t anyone I’d ever met.  I sat staring at a computer screen, listening to the words, alone.

My fondest memory of my mother is sitting on her lap, reading a book.  Listening to her radio segment again brought tears to my eyes.  It was clear that reading stories with my mum was not only essential for fostering a love of words, imagination and story telling, but also bonding with my mother, who died eight months after it was recorded.

The publishing world has been up in arms in recent years about e-books.  The release of the Amazon Kindle in Canada has increased tensions.  Publishers and authors are terrified that the presence of e-books will ruin the reading experience, infringe on copyrights and bankrupt the original industry.  But whether adults give up physical books in lieu of fancier, digital versions hardly seems like the biggest issue at hand.  The publishing industry, in time, will adapt to the new technology.  What I am really worried about is whether or not children continue to experience books in the traditional way – or at all.

I don’t doubt that this website will help children learn to read.  If people want to use sites like this as a supplement to their regular reading schedule with their children, then I think that’s great.  What I am not OK with is letting technology take the place of parents in an activity as crucial to young children’s development as reading.

Most of the children I know have a vast amount of computer knowledge relative to their young ages and could easily access the books on this site on their own.  Since sitting at a computer is rarely a two-person activity, and getting children to simply read seems to be the main goal of most reading programs, it is easy to imagine children enjoying these online books alone.  But by leaving kids to be taught by a computer instead of a parent or caregiver, they are potentially missing out on a broader experience.

To quote my mum: “at the very least, story time provides an excuse for a cozy cuddle with your kid, and it’s a great opportunity for some guaranteed fun together.”

I want my future children to grow up reading.  I want them to remember not only the stories they loved, but also the experience of reading those books with someone that loved them.

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